Symphonies nos. 97 (1793) and 98 (1792) actually the first and fourth of the London symphonies respectively were composed for the “Solomon Concerts” in
London. The new scores and performance material are based on the Urtext of the Joseph Haydn Complete Edition; the editions themselves are based on all
These publications complement Bärenreiter’s existing
performance material to Haydn’s
London symphonies nos. 94, 99, 101-104.
- Urtext of the “Joseph Haydn Complete Edition”
- Large format orchestral parts 25.5 x 32.5 cm
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Le Toreador ou l'Accord parfait (F-G) (Urtext). : Large Score: (Barenreiter)
Le Toreador ou l'Accord parfait (F-G) (Urtext). : Vocal Score: (Barenreiter)
Concerto for Violin, Op.28. : Study score: (Barenreiter)
Concertino Op.21 : Study score: (Barenreiter)
Events No.1 : Study score: (Barenreiter)
Events No.2 : Study score: (Barenreiter)
Mikrographien, Op.24 : Study score: (Barenreiter)
Op Overture. : Study score: (Barenreiter)
Meli. Cantata, Op.17 (Gr-E). : Study score: (Barenreiter)
Kinesis ABCD, Op.31.: Study score: (Barenreiter)
Cheironomies (Gesten). Conductor's improvisation (without text). : Playing score: (Barenreiter)
Concertino Op.16b : Study score: (Barenreiter)