Although all that survives of Bach's “St. Mark Passion” is Picander's libretto, virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae , however, are probably lost forever. Rather than rewriting these numbers “in Bachs's style”, Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach, who performed it several times), thereby allowing this lost work to be performed in its entirety. A detailed preface sheds further light on this unique reconstruction based on the New Bach Edition.
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Complete Cantatas In Paperback: 19 Volume Study Score Edition (Urtext). (Including Choral
Cantata No. 33: Allein zu dir, Herr Jesu Christ (BWV 33) (Urtext). : Choral & Orchestra: (Barenreite
Cantata No.207: Vereinigte Zwietracht der wechseln (BWV207) (Urtext) Study score (Barenreiter)
Cantata No.106: Gottes Zeit ist die allerbeste Zeit (Mighty God, His time is ever best) (Actus trag
Cantata No. 26: Ach wie fluechtig, ach wie nichtig (BWV26) Study score (Barenreiter)
Cantata No. 16: Herr Gott, dich loben wir (BWV 16) (Urtext) Study score (Barenreiter)
Cantata No.187: Es sartet alles auf dich (BWV 187) (Urtext) Study score (Barenreiter)
Cantata No.106: Gottes Zeit ist die allerbeste Zeit Study score (Barenreiter)
Cantata No. 80: Ein feste Burg (A Mighty Fortress is Our God) (BWV80) (Urtext).: Choral & Orchestra:
Cantata No.143: Lobe den Herrn, meine Seele (Praise thou the Lord, o my spirit) (BWV 143) (Urtext).:
Te Deum, Op.22 (Urtext). : Choral & Orchestra: (Barenreiter)