In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and piano, four of which are still extant and have been arranged by Julius Berger for violoncello and piano. As Beethoven had written pieces for a mandolin tuned to G-D-A-E, it was unproblematic to transcribe them for the violoncello. The arrangements are written in the original keys and keep as close to the original as possible. These elegant works are little shining gems. Headed 'Adagio' and written in one movement at first, 'Sonatina' WoO 43a in the tragic C minor key with a bright C major section in the middle is followed by a marvellous 'Adagio ma non troppo' WoO 43b of religious depth.
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Suite For Solo Cello
Tango Extrait De La Suite Espana : Violoncello or 2 Violoncelli and Piano (Eschig)
Oyan: Cello Solo
Cello Concerto A Minor: Cello: Book & Cd (MMO)
Concerto A Minor: Cello (Kalmus)
Cello Concerto in C-moll: Violoncello and Piano (Salabert)
Cello Concerto En Ut Mineur(c Minor) Cello & Piano (Salabert)
6 Cello Suites Bwv10071012: Cello Solo (Barenreiter)
6 Cello Suites Bwv1007-1012 For Solo Cello (Peters)
Ave Maria: Cello Or Violin & Piano (Schott)
6 Cello Suites Bwv1007-1012: Cello Solo: Original: Box Set (Barenreiter)
Suite No 1 Cello Solo: Bwv1007 (Wiener Urtext)