It is impossible to imagine today‘s cello lessons without the works by Jean-Baptiste Bréval (1753–1823).
This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.
As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval‘s original version, by piano, or even by both instruments.
The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.
The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:
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Suite For Solo Cello
Tango Extrait De La Suite Espana : Violoncello or 2 Violoncelli and Piano (Eschig)
Oyan: Cello Solo
Cello Concerto A Minor: Cello: Book & Cd (MMO)
Concerto A Minor: Cello (Kalmus)
Cello Concerto in C-moll: Violoncello and Piano (Salabert)
Cello Concerto En Ut Mineur(c Minor) Cello & Piano (Salabert)
6 Cello Suites Bwv10071012: Cello Solo (Barenreiter)
6 Cello Suites Bwv1007-1012 For Solo Cello (Peters)
Ave Maria: Cello Or Violin & Piano (Schott)
6 Cello Suites Bwv1007-1012: Cello Solo: Original: Box Set (Barenreiter)
Suite No 1 Cello Solo: Bwv1007 (Wiener Urtext)