His concertos justifiably rank among the milestones of solo music accompanied by orchestra. In Viennese Classicism, piano music flourished thanks to innovations in the instrumental technique, and even Mozart fully exploited the advantages of the fortepiano action over the rigid sound of the harpsichord in his works.Piano Concerto No. 25 is Mozart’s longest concerto. The harmonic structure, the continuous change between major and minor, the witty dialoguing between solo and orchestra, the strong contrapuntal saturation, the frequent use of the pedal point as well as the overflowing melodic abundance give the work a character all its own.
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Sinfoniette: No 1: Op 48: Study Score
Trumpet Concerto: Trumpet And Orchestra: Miniature Score
Brandenburg Concerto No.4: Bwv1049
St John Passion: Bwv245: Study score (Barenreiter)
Harpsichord Concerto D Minor: Miniature Score & Cd (Audio Series No 96)
Musical Offering: Bwv1079 Study score (Barenreiter)
Violin Concertos In Aminor and E Major Study score (Barenreiter)
Brandenburg Concerto No.2: Bwv1047: Miniature Score
Concerto: A Minor: Bwv1041: Miniature Score
Double Violin Concerto: Double: Dmin: Bwv1043: 2 Violins Study score (Barenreiter)
Brandenburg Concertos: 6: Miniature Score: Bk&cd
Christmas Oratorio: Bwv248: Miniature Score