Urtext Edition, Version for Violin, paperbound with marked and unmarked string parts
The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.
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Signs Games And Messages For Violin (EMB)
Sonata No 2: G Major: Op13: Violin and Piano (Peters)
12 Fantasias: Treble Recorder (Barenreiter)
Violin Sonata Op78: Violin& Piano (Wiener Urtext)
Nigun (Improvisation) Baal Shem No 2: Violin & Piano Book & Cd (Carl Fischer)
Recital Pieces: 1: Treble Recorder and Piano
Id Rather Be In Philadelphia: Treble Recorder Solo
Rotosound Superia Normal Tension Ball End
Scherzo Tarantelle: Op.16: Violin & Piano (Peters)
Sonata No 3: C Minor: Op45: Violin & Piano (Peters)
Pieces For Solo Recorder: Vol. 3
Signs Games And Messages For String Trio Playing Score (EMB)