There are seventeen one-movement instrumental compositions known to have been composed by Mozart designated as either “Church sonatas” or “Epistle sonatas“. These consist partly of simple trios for two violins and bass, partly of generous, concertante movements with obbligato organ. The organ part ranges from simple continuo playing to virtuoso solo tasks. The charming miniatures were a specialty of Salzburg, although only Mozart could afford the luxury of composing his own pieces.
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Le Toreador ou l'Accord parfait (F-G) (Urtext). : Large Score: (Barenreiter)
Le Toreador ou l'Accord parfait (F-G) (Urtext). : Vocal Score: (Barenreiter)
Concerto for Violin, Op.28. : Study score: (Barenreiter)
Concertino Op.21 : Study score: (Barenreiter)
Events No.1 : Study score: (Barenreiter)
Events No.2 : Study score: (Barenreiter)
Mikrographien, Op.24 : Study score: (Barenreiter)
Op Overture. : Study score: (Barenreiter)
Meli. Cantata, Op.17 (Gr-E). : Study score: (Barenreiter)
Kinesis ABCD, Op.31.: Study score: (Barenreiter)
Cheironomies (Gesten). Conductor's improvisation (without text). : Playing score: (Barenreiter)
Concertino Op.16b : Study score: (Barenreiter)